Coolorus with Brushbox and Kyle’s Brushes = Awesome!
Over the past year or so, I’ve been using Coolorus as my color picker. Found out about it via Simona Ceccarelli in the SVSLearn Forums (SVSLearn.com)
I meant to post about it long ago but… well, here I am now 😁
Per their site: “Coolorus is a color wheel plugin for Adobe® Photoshop®, inspired by Corel® Painter® color picker.”
I’ve found it preferable to the standard Photoshop color picker and it seems to have sped up my workflow too.
I usually have it without the panels/sliders on (if I need sliders, I just use the standard Photoshop Color Panel that is always available in my closed tab list); however, below, I show a screengrab with them turned off and on so both options can be seen.
The screengrabs also show the Brushbox plugin that I’ve loved using for the past couple of years. I wrote a post about it back, roughly when it came out at the end of 2016:
I show my favorites in one view, and my “everything” in another (There are far, far too many brushes to actually show everything)
Speaking of brushes, I have most of the Kyle’s Brushes, which are just wonderfully made — Kyle’s Brushes are now part of Adobe Creative Cloud:
We’re excited to announce that Adobe has acquired KyleBrush.com. As of today, all Creative Cloud customers will gain exclusive access to over 1,000 high-quality, digital brushes at no additional cost. Digital brushes offer illustrators, animators and designers a rich digital painting experience when working in Photoshop CC and Photoshop Sketch.
As part of the acquisition, Kyle T. Webster, an international award-winning illustrator and leader in the field of digital brush creation, also joins Adobe. He will work closely with Adobe product teams on the development of future brushes for Creative Cloud.
“For years, Kyle has created the world’s best-selling Photoshop brushes for professional illustrators, animators and designers,” said Maria Yap, Adobe Senior Director of Digital Imaging Product Management. “We’re thrilled to bring his award-winning brushes to all Creative Cloud members and at the same time gain Kyle’s expertise to enhance Adobe’s digital drawing experience for designers in the future.”
“I’m honored to join the Adobe team, and excited that all CC members now have access to my vast collection of digital brushes,” said Kyle. “I know the team well and have collaborated with Adobe in the past, including the recent Hidden Treasures of Creativity campaign, a fun project where we recreated the over 100-year old paint brushes of Edvard Munch.”
Coolorus:
Coolorus.com
Facebook.com/coolorus.color.picker/
Twitter.com/Coolorus
BrushBox:
Gumroad.com/l/brushbox
(Created By: DerrickB.net)
Kyle’s Brushes:
KyleBrush.com
(Created By: KyleTWebster.com)
See more articles at QuietYell.com/Ramblings and see the work of Scott Monaco at QuietYell.com/Portfolio
Shimizu Seika Baby Donuts Packaging
Just love the way the packaging was closed into a fan shape on the Shimizu Seika Baby Donuts Packaging, especially with the “Donuts” text reveal when opened.
Got them at http://www.mitsuwa.com/ (Plano, TX Location)
See more articles at QuietYell.com/Ramblings and see the work of Scott Monaco at QuietYell.com/Portfolio
WhatTheFont : Identify Fonts Instantly
http://www.myfonts.com/WhatTheFont/mobile/
More Info:
https://thenextweb.com/insider/2017/10/31/this-app-is-like-shazam-for-fonts/
WhatTheFont is a Shazam for fonts — a designer’s dream.
The app is a mobile version of the website previously developed by MyFonts, and recognizes any font you point at with your camera, including a variation of similar fonts to go with it. It also lets you buy the fonts you find directly through MyFonts or even share them on social media.
See more articles at QuietYell.com/Ramblings and see the work of Scott Monaco at QuietYell.com/Portfolio
QuietYell Portfolio: Rio Bravo Soccer Boy

Specifically painted for the children of the Rio Bravo orphanage and of Alianza Cristiana (both in Reynosa, Mexico), this illustration reads:
Poder: Cuando el Espíritu Santo venga sobre ustedes, recibirán poder… (Hechos 1:8)
(Learn more about Rio Bravo Ministries and Alianza Cristiana Reynosa below the images)


About Rio Bravo Ministries
Rio Bravo Ministries is a faith based ministry located in Reynosa, Tamalupas Mexico, directly across the border from McAllen Texas. Rio Bravo ministries supports Hogar de Niño’s Rio Bravo (Rio Bravo Children’s Home), Escuela Esperanza (Hope Christian School) as well as many local churches and non-profit organizations in northern Mexico.
Rio Bravo Ministries is an independent non denominational ministry that receives its sole support through individuals and churches that share the same vision.
At its conception, the RBM core belief was to become a “Bridge of Hope” that connected the local needy Mexican community with the wider network of resources of American Christians. In this manner we fulfill our charge given by James 1:27 “Pure and undefiled religion before God and the Father is this: to visit orphans and widows in their trouble and to keep oneself unspotted from the world”. What we have discovered at Rio Bravo is when you get your “Church, Youth Group, Community or Family” involved in missions a mutual life changing event happens in the lives of both “the ministered and the minstrel”.
Rio Bravo Ministries:
Rio-Bravo.org
Alianza Cristiana Reynosa:
AlianzaCristianaReynosa.com
QuietYell™ Launches FishFotography.com
Fish Fotography™ is the photography studio of Adam Fish, a long time friend & partner of Scott Monaco & QuietYell™.
A common thread of passion & story pours forth from Adam’s photography, often with what one might term as an “organic, midwestern, American, 70s vintage” style and approach; yet, modern, high-impact imagery graces the portfolio of work as well.
Adam has done exceptional work for several large agencies & Fortune 500 companies. Clients have included: 7-Eleven, American Airlines, AT&T, BB&T, Cadbury Schweppes, Crispin Porter, DART (Dallas Area Rapid Transit), DDB, DFW Airport, FedEx Kinkos, Frito Lay, Gamestop, Gatorade, Goldman Sachs, GSD&M, McDonald’s, Michael’s, Office Depot, Orkin, The Richards Group, Samsung, Southwest Airlines, Susan G. Komen, T:M, TracyLocke, Travel Channel, Verizon, Waste Management, Western Union, and many more.
Being a man of few verbal words, his photography speaks volumes. Truly, Adam & Fish Fotography embodies the soul of QuietYell: Audibly Silent. Visually Loud.™
Learn More at: FishFotography.com
QuietYell Portfolio: Ferme Agro-Pastorale
When dear friends, who serve as missionaries in the African country of Burkino Faso, requested help for an illustrated logo for the community “small farm resource center” they’ve been helping the locals develop, we jumped at the chance to serve them in hopes that our work might bring additional pride, joy, & hope in their endeavor.
The elements of the logo were requested by the client and serve of great importance to them in representing the various aspects of Ferme Agro-Pastorale (“Shalom Farm” in English, or “HƐrƐforo” in Jula), their community farm:
- The local farmers of the Burkina Faso village this farm is comprised of and supports.
- The cattle & their importance to farming activity.
- The chicks and their importance to farm growth. Multiple shown to express productivity.
- The corn crops the farm grows. Multiple stalks shown to express productivity.
- The valuable forage trees (Leucaena) typical of the land.
This logo is used on brochures, business cards, roadside signs, t-shirts, and more.
Below is an overview provided by Shalom Farm:
Shalom Farm
A Ministry among the Muslim Jula people of Burkina Faso, West Africa
The vast majority of the Muslim Jula people of southern Burkina Faso are subsistence farmers who are barely able to make a living. Most also raise a few head of livestock and a backyard poultry flock.
Surprisingly, their longstanding poverty is due more to cultural, social, and religious conditions than to climate, land availability, and soil quality. It is in this context that Shalom Farm is being developed.
Shalom Farm, on twelve acres of depleted farmland near the village of Kangoura, functions as a combination agricultural experiment station and working demonstration farm. We are seeking improved methods of crop and food animal production to share with farmers in the region.
But because we recognize that the root cause of the poverty among the Jula is due to their worldview, we are developing Shalom Farm in the name of Jesus, living out Biblical principles as Christian farmers and sharing Bible stories with people as we have opportunity.
New farming techniques alone will not make a deep or lasting difference for the people. What is needed is the transformation in the lives of the farmers and their families. As people become children of God through faith in Jesus, their minds will be renewed. Relationships within the community will improve. Only under such conditions, will true, Biblical development – God’s Shalom – become possible.
Work began on Shalom Farm in 2010. We now have five head of a dual-purpose milk and meat breed of cattle and a flock of seven sheep (and one goat) on 4.5 acres of improved pasture, along with four turkeys, and about fifty chickens. We’re leaving another 2.5 acres for natural pasture. Another 4.5 acres are in crops – corn, soybeans, and cowpeas, with relay crops of moringa, pigeon pea, and jack bean. On a small section infested with witch weed (a common problem in area farms), we are experimenting with velvet bean and tropical kudzu to combat the weed.
Two full-time employees do the bulk of the work on Shalom Farm. We have a third, part-time employee, and hire groups from Kangoura village for contract work when necessary. Our major approach to farming is to till as little as possible and leave as much mulch as possible, favoring organic over chemical fertilizers.
One unique endeavor at Shalom Farm is the Mustard Seed Project. Here, we have been sectioning off a twenty-meter by twenty-meter area using living fence. Within each 400 square meter section, we are planting pasture grasses and legumes, as well as forage trees.
It takes two years for this living fence to become effective as a fence. Sections one and two on schedule to be functional in mid-2014, at which time we hope to do a trial with sheep grazing within these sections. Some of our chickens are presently on these sections. A third section is now being planted. This will eventually become the farm’s pasture, permanently sectioned off for rotational grazing. The present pasture will be cultivated for crops.
Toward the end of 2013, before the annual dry season begins, we plan to establish a drip-irrigated forage bank next to the hand-dug well. These forages will supplement for the livestock the hay that will have been cut, dried, and stored from the pasture during the rainy season.
We are working on alternative protein sources for the poultry, such as vermiculture (worm farming) and the collection of black soldier fly grubs. In addition, some of our chickens are in the pasture along with the livestock. The chickens profit from the fly and parasite larvae associated with the manure, and the parasite load and fly populations are reduced for the livestock. The chickens also get proteins by eating insects, thus aiding the pasture grasses and legumes.
Already we have found several projects that have worked on Shalom Farm and have a high probability of success on villagers’ farms. Some examples are drip irrigation for vegetable gardens, the cultivation of moringa tree to improve the nutrition and health of children, and the planting of certain relay crops to increase production on a cultivated field. We are now beginning to demonstrate these methods to visitors to the farm, which is generating interest in trying them out on their own farms.
This extension work is a vital function of Shalom Farm. As we discover and demonstrate successful approaches to increasing food production, we are beginning to share these with farmers of different communities in the region. This enables us not only to help people in the name of Jesus, but also provides opportunities to share the gospel message with them. Thus, we are able to both demonstrate the gospel in action and proclaim this gospel.
We are grateful for the Lord’s blessing upon Shalom Farm in the course of her first three years of development. Join us in asking Him to give us great success in our efforts to bless the Muslim Jula in the name of Jesus and call them into the Kingdom of God.
The Portfolio of Scott Monaco (1997-2010)
Interested in seeing select work of Scott Monaco, founder of QuietYell™?
Then go here to view a pdf: This document includes a bio, list of disciplines, client list, and select work (as of late-2010). You can view text regarding the work within the pdf below.
Also, go ‘Get the Skinny’ and learn more about QuietYell™, Scott Monaco, and Partners at QuietYell.com.
Content Development:
The creative ability to concept & develop artwork ranging from traditional to digital in fine art, illustration, branding, design, animation, and interactive has been foundational for directing, managing, strategizing, & casting vision for a variety of direct business agendas.
My background & core passion comes from a fine art & illustration discipline. Overall, this is what undergirds my perspectives and approaches, as much of this discipline is crafted around synthesizing concepts & messages and communicating them through representational and non-representational story-telling, using analogical images & graphics.
In short, the ability to create artwork allows me to uniquely understand, compose, & communicate in any challenge that comes before me.
Illustration:
Intellectual Property, Character, & Illustration Content Development
Technical abilities span drawing (pencil, colored pencils, pastels, markers, ink, etc.), painting (acrylic, oil, gouache, airbrush, etc.), mixed media (various other mediums), digital illustration (vector-based to fully rendered, ie. Adobe illustrator & Photoshop), and other illustrative art types (including physical and digital 3D, collage/mosaic, etching, etc.).
Styles & genre typically span children’s to adult, mild-to-extreme characterizations (cartoon, comic, storybook, etc.), fairy-tale, fantasy, and sci-fi. Abstract-based styles can also be done but are mostly only expressed graphically when developing logos & brand support imagery. Artwork subject matter covers figurative to object & environmental representations.
Uses of illustrations range concept art, brand support, storyboards, spot illustration, editorial illustration, media illustration, product illustration, and so forth.
Design:
B2B & B2C Brand Marketing, Design, & Product Development
As design is instrumental in brand development and communications, my applications of design have comprehensively covered brand identity, product development, business & sales material, advertising, and more, through print, traditional media, & new media.
Technical abilities span concept to production art including illustrative & abstract graphic development (logos, supportive graphics and icons, charts, etc.), single to multi-page layout & development (ads, posters, books, etc.), specialty printed design (POS display, packaging, etc.), media graphics & media development (tv/film, web, etc.), and more.
While industries have been diverse to include many professional b2b & b2c products and services, much effort and focus has covered media, entertainment, & mass consumer-based products, services, & retail.